A Favorite, Though Offbeat, PI Film
This piece appeared in slightly different form on Criminal Element. The opening of Robert Benton’s private eye film The Late Show is chock-full of deception. We first see the Warner Brothers logo, but it’s not the Warner logo of 1977, the year the film was released. It’s a sepia colored 1940’s era Warner logo, and right away we hear soft 40’s style piano music […]